ITSUTSUJI GALLERY, TOKYO
This gallery is a major gallery in Japan. It is well known to have introduced Support-Surfaces artists such as Claude Viallat, Louis Cane, Daniel Dezeuze, Jean-Pierre Pincemin, and other artists : Pierre Buraglio, François Rouan, Gérard Titus-Carmel, Jean-Michel Meurice, Guillaume Bottazzi, Simon Hantaï and Pierre Soulages. M. Itsutsuji was knighted by the French Government “Chevalier des Arts et des Lettres.”
Guillaume Bottazzi works with the Itsutsuji Gallery since 2006. «Japan, my love» was the 5th one-person exhibition by the artist at the gallery, it took place from 17 May to 22 June 2019.
The exhibition “Japan, my love” , sober in color, was composed of cobalt blue and turquoise on beige and white supports. Ten recent oils on raw linen 146 cm by 97 cm were presented at the gallery, as well as two retro-lit airplane installations. Eric Kandel *, Nobel Prize in Physiology Medicine in 2000, proves that abstract art is the essence of art, that it creates a deeper cognitive activity than figurative art. “Abstract art that distances us from real life requires an active resolution of the problem. We instinctively seek motifs, recognizable forms, formal figures in abstraction. It makes our brain work differently, harder, on a subconscious level. ” (cf: “Reductionism in Art and Brain Science”). Experiments ** have shown that if the observer likes the work he hears or looks at, his cognitive activity will be much richer than if he does not like it. A scientific study *** led by neuroscientist Helmut Leder, entitled “Curved art in the real world – A psychological look at the art of Guillaume Bottazzi” proves that his work tends to decrease the anxiety of the observer and to favor the activity of pleasure zones in the brain.
* According to The Independent, “The decision to include culture and art in the US arsenal has been taken since the creation of the CIA in 1947”. Although Eric Kandel probably continues the efforts of the CIA, his discoveries impact our understanding of art.
** Experiences led by neuroscientist Oliver Sacks, University of Colombia.
*** Study conducted by the neuroscientist Helmut Leder and Marcos Nadal of the University of Vienna following a 10 years research on the brain and art.
Most exhibitions by the artist Guillaume Bottazzi at the Gallery Itsutsuji are supported by the French Embassy in Japan.
Tokyo Weekender, May 2019 – Le Petit Journal, May 2019 – Bijutsu Shuppan-Sha Magazine, October 2015 – Euronews TV, May 2015 – Euronews TV, Mar. 2013 – PEN magazine, May 2009 – J Select, jui. 2009 – SO-EN magazine , Jui. 2009 – Yomiuri Shimbun, Mar. 2013 – The Guide Book for Art, Oct. 2009 – Geiriki,Mar. 2009 – Bijutsu Techo magazine (Bijutsu Shuppansha), Apr. 2009 – Art Index– Apr. 2009 – Asahi, May 2009 – FDG , Apr. 2009 – Gekkan Bijutsu, Apr. 2009 – S-Woman , May 2009 – Asahi shimbun, May 2009 – Mainichi shimbun, May 2009 – Beaux Arts Magazine, Jui. 2009 – Gekkan Bijutsu, Nov. 2006 – Tokyo Calendar, Nov. 2006 – Asahi, Nov. 2006 – Brutus, Nov. 2006 – Tagboat, Nov. 2006 – Bijutsu Techno, Nov. 2006
Official website of Guillaume Bottazzi, visual artist.
Presentation of works of art, exhibitions, news, environmental art. Guillaume Bottazzi has signed more than 65 artworks for public spaces. The images are the property of the artist. Those who wish to copy images can contact: ADAGP Paris – © Guillaume Bottazzi